The system of modelling adopted is surely the most ancient: the manual one, that consists in the realization of a sculpture through further material’s additions, continuing with the phase of manual modelling and elimination of superfluous parts with the aid of appropriate tools, mainly sticks of wood. Once realized and dried up, work is cooked in special furnaces and then glazed when it’s cold with acrylic colours.
All works are unique and original sculptures, and we all as “unique works” also the series realized from an original model, then destroying the mould of the same model, because the models, all similar among them, do not exceed the number of nine, all numbered, signed and finished off singly, with a further model “empreuve d’artiste”, in this case we specify the term “set” with the remaining numbered models. The works are all provided of solid wood bases, mainly essences of cherry-tree and walnut-tree, with brass plate.

Sculptures are sorted in:
“tondo” model: figure isolated in the space in the three dimensions, completely free and observable from every side;
“bass-relief”: figure with its shapes stand out from the bottom with half of their volume, realized creating “chiaroscuro” contrasts;
“pale”: large format or monumental works, they result partially or entirely hollows and for technical reasons they are cooked in separated parts, dissecting the work with a blade after modelling.
Generally the cuts follow the line of the figure disguising themselves along its profiles.

The artist is besides available to realize works on commission, of any kind (busts, portraits, sculpturesque groups), material (terra cotta, porcelain, bronze) and of any dimension.